Can we talk villains for a moment? I love villains. I mean I love a good villain to root against. I love the anger they rouse in me while I read, I love the sense of righteousness I can feel when I am against them, I love the comeuppance or repentance at the end. Come on. Who didn’t like it when Umbrage gets taken by the centaurs? Who didn’t like Darth Vader saving his son (but, of course, having to die for all the evil he did)? Who didn’t like the take down of Hydra, even if it meant that the good guys had to go into hiding?
I love having villains in my books. I love writing them. There is something so delicious about writing a twisted, evil character. My villain scenes have always been easy for me to write. They flow out of me. I can picture their mannerisms, their postures, and hear their words with little effort. I do like the “black and white” because the world isn’t.
Which brings me to a small rant. One of the criticisms I’ve received about THE WISH LIST was that the villain was easy to figure out. Folks, I never tried to hide who the villain was. Honestly, it never occurred to me to hide from the reader who the bad guy was. I did keep it from my characters for a bit, but not the readers. It isn’t brain surgery. There are only nine bigger players in the book, and it was a romance. The villain wasn’t going to be the heroine or the hero; there is a child in the book—he wasn’t going to be the villain. There are the three godmothers—it’s not them. Now, I could have been tricky and made the hero’s best friend the villain, but it’s not that kind of book. That leaves two characters. One is the love interest of the best friend. Again, this is a lighter book. It wasn’t her. That leaves the villain. I didn’t hide it.
Okay, maybe I was unoriginal; maybe my books could have had more depth by choosing one of the other characters to be the villain, but I wanted a romp. Besides, the villain had to last through three books. You know who the villain is in the next two books in the series, so why hide it in the first?
I love mysteries, but I rarely write them. My villains are out there in the spotlight, and you know they are villains from the start. (Okay, in YOURS ALWAYS and THE SEA EAGLE under my Gabi Anderson name the villains are more hidden).
In my latest book, THE STONE KEY, the villain is the villain from the moment he appears at the beginning of the story, and when he shows up again in the novel, you know. And once again, he was so easy to write.
Hmmm, maybe I should investigate how a goody two-shoes, unassuming, rule-follower like me finds villains so easy to write. On the other hand, my short stories seem to explore nothing but that side of my psyche.
Books I’m reading now:
Wild Cards edited by Geroge RR Martin
Age of Myth by Michael J Sullivan