To the Nay Sayers

In which I look at the denigration of genre fiction.

I met a woman once who asked me why romances could be so popular when they all told the same story. Oh, sure, some elements are the same–a man, a woman and a happy ending (and even that’s not necessarily true any more. The popularity of LGBTQ books is growing and welcome, as are erotica books)–but the journey is different in each. It’s what the characters learn on that journey and how they grow that make every story unique. She scoffed at my explanation and dismissed my notions as uninformed. I listened to her politely with a smile set on my face, then changed the subject. After all there’s no use arguing with someone who clearly had never read romance, had no intention of reading romance, yet has strong opinions on it.

All genre fiction tends to suffer from its reputation (although I would argue romance suffers more than its fair share). Maybe because all genre fiction follows formulae and for some reason people think a formula means no creativity. Heck, Joseph Campbell broke all stories down to one formula (the Hero’s Journey), which then Chirstopher Vogler laid out for writers in his best selling and fascinating book The Writer’s Journey. So it’s easy for pretentious people to dismiss entire genres of books as unoriginal or written by hacks. Those people are wrong. Yes, not all genres will appeal to everyone. I, for example, don’t like to read horror or police procedurals, but that’s a matter of taste, not a reflection of quality. I can look at the trailers for a film and know if I want to see it. A lot of times those are the films that end up winning the awards. I just don’t like that type, but as I said, that’s taste, not quality. I also don’t like red wine, black coffee, brandy, or much chocolate.

The more I think about why genre fiction is popular and why the some or the populace regards it as less than literary, the more I realize it’s about how the books make you feel and the messages they send. Even within genre fiction there is some I don’t like to read. I dislike the heavy, angsty, emotional story. I love a good romp. I love a lighter tone. Even with a high body count, I love a lighter tone (Yes, such books exist. Death and destruction with a light tone. My favorite.). It doesn’t mean that serious events don’t occur in the story; it just means I don’t need to take Xanax when I’ve finished the story. I have read some of what is called literary fiction that has made me want to gauge my eyes out after slitting my wrists. I like the romps, the adventures, the humor, the uplifting endings (doesn’t mean not sad; that means that the human spirit wins at the end. Heck, I cried at the end of Guardians of the Galaxy. And Toy Story 3. Sobbed at that one.). It’s about how I felt as I read the story.cute-super-hero-clip-art-superhero-boy

And the message. Stephen King once said that genre fiction was the place where values are tested for society to ponder (Or something like that. I tried to find the real quote with no success.). I agree with him. Genre fiction is where the protagonists face circumstances that test their beliefs. If they choose rightly, they are heroes. If not, they become tragic victims. This idea is pervasive in our modern culture: “You underestimate the power of the Dark Side”; “It is our choices, Harry, that show what we truly are, far more than our abilities”;“The thing about a hero, is even when it doesn’t look like there’s a light at the end of the tunnel, he’s going to keep digging, he’s going to keep trying to do right and make up for what’s gone before, just because that’s who he is.”  (That last one is Joss Whedon, in case you didn’t recognize it)

I like heroes. And villains for those heroes to fight against. Because I want to leave a story cheering, even if I’m crying. And in real life I like the heroes who do the right thing daily without fanfare or capes or parades or even fighting.


Books I’m reading now:

How Few Remain by Harry Turtledove

Harry Potter und der Gefangene von Azkaban by JK Rowling


Sale . . . or the Long Versus the Short

In which I discuss voice and tone in the novels I enjoy (Yes, I mention Harry Potter again) and write, Edgar Allan Poe, Asimov, King, and my short story collection. It’s on sale now.

Smaller Preternatural High Res FINAL REV copyWhen I write my novels, my tone and voice are light, despite the possible high body count in the plots. I just don’t like dark, dark, hit-me-over-the-head-with-pain novels. I want my novels to have laughter, characters who don’t dwell on events until they are crippled, that end with the reader cheering for the protagonists. If you think about it, the Harry Potter books had high body counts (growing larger with each year), even episodes of sobbing (at least on my part), but I never felt my soul being dragged down as I read. I always felt uplifted (Yes, even through the tears—SPOILER [really, you haven’t read the books or at least watched the movies yet?]—When Snape killed Dumbledore I knew there was a reason, and even though my heart broke with Dumbledore’s death and funeral, I trusted JK Rowling to give me my answers in the next book. I was right. Book Seven was a killer, yet with every death I recognized the fight for good and that sacrifices had to be made.  Geez, a long enough aside for you?)

So why bring this up? Because I like my short stories twisted. Think Edgar Allan Poe. His “Cask of Amontillado” is my all time favorite short story, but I also like his others (“Tell-tale Heart,” “Hop-Frog,” “The Black Cat”). My favorite story in Isaac Asimov’s I, Robot is “Liar!”, and while I love “Rita Hayworth and the Shawshank Redemption” (and the movie too), “The Breathing Method” is the novella that made the biggest impression on me when I read Stephen King’s Different Seasons.

So, again, why bring this up? Well, Preternatural is a collection of short stories I wrote that are entirely different from my novel voice (Well, sort of. I’d argue that “April Fools’” is long enough to have that light tone but just wait until the ending.). These stories are twisted, sharp (not as in smart, although I hope that too), dark, surprising, and well, different from my normal stuff. Thus the name GS Anderson on the cover. After Robot Guy read them, he turned to me and said, “I’m scared of you.”


They are short. Very short. The longest one is just under three thousand words. The shortest is a fable of forty-four words, but the average is around one thousand. Twelve in all, they entertain. If you like twisted.


And Preternatural (ebook only) is on sale now at Amazon and Nook for $.99 today through Sunday.


Please pick up a copy. Read them. Then think about writing a review of the book. Seriously, it’s only a buck.




Books I’m reading now:

The Resurrectionist by Sierra Woods